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ALUMNI CONNECTION - MICHAEL WANG

5/19/2020

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BY LEANDRA ACOSTA
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Michael Wang was born and raised in New Jersey, where he began his dance training at the age of 16.  He graduated magna cum laude from Marymount Manhattan College, where he received a Bachelor of Fine Arts degree in Dance, with a concentration in ballet. Michael has also furthered his training with intensives at Nederlands Dans Theater, Jacob's Pillow Contemporary Program, Hubbard Street Dance Chicago and Movement Invention Project. He recently joined the cast of Punchdrunk’s Sleep No More NYC. 
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We recently reached out to Michael to see what he has been up to since the start of the COVID-19 crisis.  ​
"I know all too well how hard dancers can be on themselves, but the pressure we place on ourselves often does not serve us."
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How has COVID-19 impacted your professional dance career? 
I recently joined the cast of Punchdrunk's Sleep No More prior to the COVID-19 crisis. It had been a dream of mine to perform in this monumental immersive physical theater production. Due to the circumstances, the show is on hiatus until further notice. I also was to perform in an evening-length show with Megan Williams Dance Projects at Danspace Project's St. Marks Church in late March, and our shows were postponed as well. ​
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What were your plans before all of this, and how have they been affected by this pause? 
I was fortunate enough to learn four roles throughout the rehearsal process at Sleep No More and had just begun performing in the show full time before this hiatus. I had been working with Megan Williams Dance Projects on this production since August, and we were looking forward to sharing this culminating performance we had worked on for so long. We hope to premiere the work in the future, but due to much uncertainty, the date is to be determined. In addition to performing, I was also working to become a Pilates instructor! I had just completed the mat course, and was working to complete the hours for my certification. Thankfully, I am still able to make progress on these hours with self-practice at home, and working with my fellow program participants over video calls.  
 
What are you doing to keep yourself inspired? 
The dance community has truly inspired me with all of the classes, resources, and creativity spreading virtually. I've tried so many new classes, teachers, and styles in my own home! It's been refreshing to immerse myself in something different for my movement practice. We may be far apart physically - but I feel closer to this community more than ever. I am also trying to stay creative in other ways, like singing, playing the piano and ukulele, and painting! It's been really lovely to have time to explore a different side of my artistic self.  

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"The human experience is more than just being happy all the time, and there is value in feeling it all."
Please provide some advice for our NJDTE Dancers. 
Allow yourself to feel your feelings. The whole world is affected by what is currently going on, and I've been really trying to allow myself to feel the spectrum of emotions that this brings up. Although I try to have a positive outlook on life, the human experience is more than just being happy all the time, and there is value in feeling it all. And show yourself compassion. I know all too well how hard dancers can be on themselves, but the pressure we place on ourselves often does not serve us. So be kind to yourself, show yourself some love, especially during this time. 
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NJDTE ALUMNI CONNECTION - JENNY HEGARTY FREEMAN

5/7/2020

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BY LEANDRA ACOSTA
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Jenny Hegarty Freeman began her early dance training in Red Bank NJ, and continued at New Jersey Dance Theatre Ensemble and the Harkness Youth Ballet, both under the direction of Nancy Turano. She went on to receive her BFA from Marymount Manhattan College and is currently the Associate Director of TAME Dance Academy and is a Company Member with Elisa Monte Dance.  

We caught up with Jenny to see how she has been doing since the start of the COVID-19 Pandemic. 

How has COVID-19 impacted your professional dance career? 
COVID-19 has impacted my professional dance career in a multitude of ways. Beyond canceled / postponed performances, the company I work for has obviously stopped rehearsing in person. We were preparing for our season that was scheduled at the end of this month and very excited, as it was brand new material about a really interesting topic. I was looking forward to diving into new choreography and being on stage again with my peers, but unfortunately we are unable to work at this time. I am optimistic that these particular season performances will be rescheduled for the future, and that our summer plans of touring and performing will still happen. COVID-19 has affected me financially because of work being on hold and also the schools I teach at closing for the time being.  It is all very uncertain time, but I, along with the company, are trying to stay connected and positive.  

"Artists are the very thing the world needs in a time of crisis"
What were your plans before all of this, and how have they been affected by this pause? 
People I work with have been affected by the virus personally and it is a scary time for all. Obviously, day to day life has been shifted and I am finding a new normal. 
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In order to stay inspired, I know that I have to keep moving. I'm inspired daily by how the dance community is coming together virtually. It is overwhelming how resilient our community is and it is amazing to take classes, watch performance and rehearsal footage, and listen to people discuss our art form on social media. Connecting through Elisa Monte Dance's classes, and the companies of my peers has been incredible. Our art is physical, but it is also emotional and mental, too. Knowing that I'm not alone has helped me get by. I have had conversations and engaged in a number of projects with musician friends and other dancers. It's amazing to be able to take part in these things when in a "normal" circumstance I might not have the time. Beyond moving my body and connecting with other artists virtually, I'm making sure to keep a routine, speaking with family and friends often, and then also taking time away from my phone and the computer to connect with my husband and puppy. We have been making some really great dinners that under a normal circumstance we would be rushing home to do!​
What advice can you give to our NJDTE Dancers? 
My advice for the dancers at NJDTE is to not lose heart. Artists are the very thing the world needs in a time of crisis. Your dance and art can be your connection to what is impossible, another world, an escape... but also your connection to what is happening. Dance is human. If you are feeling afraid, use it. If you are feeling positive, share that through your dancing. Things may be daunting right now, but you may be able to help yourself get by and help others along the way if you lean into what you have. Create, Train, and take advantage of the free online classes in the community will help you stay healthy and ready to get back to the studio, but beyond that, you have the opportunity to watch and listen to instructors and dancers you may have never met, or have the chance. 
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Dig into the information at your fingertips and use it when you get back into rehearsals and in person classes. Besides continuing your training, I hope you all make sure to use this time to rest and recharge. The world moves so quickly and there is nothing wrong with pausing. Take a deep breath and don't be afraid to be still for a moment. Find something that makes you happy every day, keep dancing (even in your living room), stay healthy, and be kind to each other. ​
"The bravery was in moving forward, no matter what."  
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NJDTE ALUMNI CONNECTION - SHANNA IRWIN

4/23/2020

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BY LEANDRA ACOSTA
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Shanna began her training at the New Jersey Dance Theater Ensemble before being accepted to Marymount Manhattan College where she received a BFA in Dance. During her last year of college, she was recruited by Complexions Contemporary Ballet. She spent five seasons with Complexions before joining the Les Ballets Jazz De Montreal in 2019.

We caught up with Shanna to what she’s been up to since the start of the COVID-19 pandemic. 
​"Plans can always change, and finding inspiration right now is all about learning to adapt to the changes"
How has COVID-19 impacted your professional dance career?
At the start of all of this the company I am working for, Les Ballets Jazz De Montreal, had to make a tough decision of sending us to Europe for our seven week tour, or not. The agency, and theaters there confirmed that our first stop, Spain, was safe- so we went. While in Spain, the virus counts were doubling daily, at the end of the fourth day we were notified that some shows within the next week were cancelled, and eventually upon completion of setting the stage, and rehearsals even our first show was cancelled. With this we were told we would go home by the end of the weekend. The next day change plans drastically, Spain would be closing its borders and we needed to leave as soon as possible in order to get back to Canada. We drove through the night, and into the next morning to Paris, France hoping to catch the earliest flight back to Montreal. Through diligent work of the company, and possibly a little bit of luck the entire company made it onto the same flight, and we were home the next day. 30 hours of travel, but all safe! We were placed under a mandatory quarantine for 14 days, and we have been “staying home” ever since. 
"To stay inspired I am taking ballet class every morning. Complementing this I stretch, and do resistance band exercises"
What were your plans before all of this, and how have they been affected by this pause?
The original plan before all of this was to be performing in Europe. Spain, France, Serbia, Italy, and Switzerland. The effect of this pause is world-wide, and experiencing it from different countries confirms the toll this is placing on the world at large. After this tour we were supposed to begin a new creation, have a company gala, and another tour to Israel. All have been postponed. We project to start work again in June.
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What are you doing to keep yourself inspired? 
I have to keep moving! To stay inspired I am taking ballet class every morning. Many classes are offered but currently I am taking classes with Jae Man Joo (NYC). Complementing this I stretch, and do resistance band exercises.  Aside from dance, I am choosing to revisit learning anatomy of Pilates, and the Spanish language. I have to make sure to get outside, because I am 100% solar powered. I draw, catch up with friends, or cook, and my boyfriend is teaching me meditations. I also really like to just lay on the floor- it is healthy to rest! 
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​Please provide some advice for our NJDTE Dancers. 
Plans can always change, and finding inspiration right now is all about learning to adapt to the changes. Whether we are experiencing a pandemic, or not, I think what is most important is to know that each day we have a choice to practice how we react to the evolving world around us. If an emotion you are experiencing will not help, release it from your thoughts.

Shanna will be teaching an Advance Ballet Master Class for NJDTE Sunday May 3rd, 10:30AM! 
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NJDTE ALUMNI CONNECTION - CONNER BORMANN

4/14/2020

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BY LEANDRA ACOSTA
PicturePhoto Courtesy of Saarländischen Staatsballet
Conner Bormann began his dance training at New Jersey Dance Theatre Ensemble. Upon graduation, he continued his formal dance training at the Juilliard School in New York City and graduated in 2017 with a Bachelor of Fine Arts. He has been dancing with the Saarländischen Staatsballett since the 2017-2018 season.

We were able to catch up with Conner to see how he has been doing since the start of the COVID-19 pandemic. 
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How has COVID-19 impacted your professional dance career?
I am currently a dancer in the Saarländisches Staatsballett in Saarbrücken, Germany. As of now, all of our training, rehearsals, and performances have been cancelled until the end of April. Luckily, we will still be paid, but it is unclear if the cancellation will extend until the end of the season. ​


​What were your plans before all of this, and how have they been affected by this pause?
​​​​​The company was about to begin the creative process with choreographers Marioenrico D’Angelo and Mortiz Ostruschnjak for a premiere in May, which has unfortunately been cancelled. Before everything was shut down, we were able to premiere a double bill with works by Richard Siegal and Stijn Celis.

"Seeing the performing arts community come together in this time is something that has really lifted my spirits".

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What are you doing to keep yourself inspired?
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​I am trying to stay aware of what I feel I need day to day. Some days I feel it’s healthier to make a clear schedule and to-do list for myself while other days I dedicate to letting myself indulge in laziness and rest without judgement.
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When it comes to inspiration, I’ve been blown away by the accessibility of online classes as well as the amount of companies posting free full-length performances for viewing.
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NJDTE Alumni Spotlight Series: Ellen Mihalick

2/18/2020

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BY LEANDRA ACOSTA
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Meet Ellen Mihalick. NJDTE Alumni graduating 2013. After NJDTE, Ellen performed with renowned companies in NYC and around the country. In the middle of her American tour with An American in Paris, we had a chance to catch up with Ellen.
 
Can you update us on your experience in the professional dance world since leaving NJDTE?
“When I graduated from NJDTE in 2013, I became a Radio City Rockette. I performed in the Christmas Spectacular in Nashville, TN for one year and then in NYC at Radio City from 2014-2019. Currently, I am on the US National Tour of An American In Paris, performing in 84 venues across 42 states until June 2020. Since I graduated NJDTE, I have also worked with various contemporary Ballet companies and choreographers including Exit 12 Dance Company (Roman Baca), Sheep’s Meadow Dance Theater (Billy Blanken), 911 Table of Silence (Jacqueline Buglisi), and with Elizabeth Roxas-Dobrish at INKUBATE®. This past summer, I was touring throughout Europe with the American Swiss Ballet Company (Sonia Melo). I have had many opportunities, as well, to come home to NJDTE to help teach, set repertoire, and perform as a guest artist, including dancing in Nancy Turano’s Shadow of Truth commissioned work at SOPAC in 2018.  Additionally, I teach and choreograph at multiple studios and am the Program Director for American Dance Training Camps. I am a certified Barre Teacher (AFAA), Group Fitness Instructor (NASM), and Personal Trainer (NASM). Additional credits include: West Side Story (Graziella/DC), Shrek the Musical (Ensemble/DC), and Grease (Associate Choreographer/DC), NY Fashion Week (Model), and Amazon TV’s Marvelous Mrs. Maisel.”
 
What has been your most recent project/performance?
“I am currently an Ensemble member on the US National Tour of An American in Paris. Rehearsals began in NYC December 2019, and we have been on the road since January 5 2020 until June! This show is a beautiful Gershwin classic that includes jazz, tap, singing, acting, and a lot of ballet and pointe.  Traveling on a bus all day then performing one or two shows is challenging, so it is important to take every opportunity to stretch, stock up on healthy snacks, run, and do Pilates and a barre at any stop the bus takes, sometimes even in the aisle while on the go.  Being in a different theater almost every night keeps the show so exciting and fresh. When we arrive to the theater we begin with our make-up and hair regime, then I have plenty of time to prioritize taking care of my body to be ready for the rigorous, athletic, and balletic production. This has been an incredible journey, to be able to perform a show that has always been a dream of mine 147 times while traveling all over the United States! It is a dream to have such a musical with so much pointe work.  The choreographic process was one that was both  artistic and collaborative.”
 
What has been your biggest accomplishment so far?
That is a difficult question because as dancers we are always striving for more. I am goal oriented and the list never stops. Dreams of mine have included being a Radio City Rockette where I got to dance for 6,000 people up to 4 times a day, in a contemporary ballet company, touring  and Broadway. I am extremely proud of everything I have accomplished thus far as a dancer.  There is  still so much I am working towards.   There is no limit when you put your dedication and passion into your dreams.”
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What advice about the professional dance world can you give to current training dancers?
“Hard work pays off!  Dream big - because why not?! Let anyone that tells you no, which there will be many,  drive you to work harder and push further to prove them wrong, but more importantly prove to yourself that you are capable of absolutely anything you set your mind to.  At the end of the day remember why you do this. For me, dance simply brings so much joy. The dance world is smaller than you think.  Make a point to make as many connections as possible. After each  class you take, talk to the teacher and introduce yourself. Thank everyone after and audition. Send that email with your photos, resume, and reel. Paths will most definitely cross again. Everyone knows everyone in this field! Appreciate every second and be present. Worry less, enjoy the process.” 

"BE GENUINE. Choreographers and directors want to work with NICE people."

​What is something you wish you knew before beginning the professional audition process?
“Know who you are and what YOU have to offer. What makes you special and makes you stand out?  Do your research about who and what you are auditioning for. At times castings are type-casted, and it is not a personal thing. Just be your best self, keep your confidence, and approach auditions as master classes.”
 
What gives you inspiration?
“I make it a point to see as much live dance as possible. I think seeing live performance is so important. Nothing beats the energy of a theater to be reminded how special this art form truly is. I am constantly  doing research online, on Instagram, or looking up to individuals who are my role models like Misty Copeland or Desmond Richardson.
 
What has been the biggest challenge you have come across in your career so far?
“You are your own boss.  You can have an agent or manager, but at the end of the day YOU make it happen. Being an artist and living in NYC is not easy. Financially I have been fortunate to never need a temporary job as performing is my main income. But this did not come easy. I have been to endless auditions from 6am until 8pm, sometimes never even arriving in the audition room or being told no. I have learned to time manage a crazy teaching schedule, mixed with multiple freelance companies and performances at once while taking classes, and auditioning. Finding balance is very difficult. Even when I am tired, I go to ballet class, as that’s my happy place. Listen to a podcast or your favorite song, find your escape and keep the bigger picture in mind. Do what makes you happy.”
 
What is the best piece of advice you have ever received?
“I have ENDLESS Nancy Turano quotes journaled throughout my years with her since 2007.  She is truly one of my biggest inspirations and motivators, still to this day. She has given me so much advice, especially when it comes to manifesting into the universe what you wish to achieve, embracing all the positive energy and being clear in your visions, as well as how to have the longest, best, healthiest career possible (and get up on hyperextension and bowleg).  She always said, “Ellen what do YOU want to achieve? So why not? I know you can do that and more. Don’t let anyone tell you no or let anything stand in your way.” Even though I graduated 7 years ago, Ms. T will still answer her phone at all hours of the day to give me advice, guidance, and opportunity, which I am forever grateful for and appreciative of.”
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How has NJDTE prepared you for your career as a dance professional?
“NJDTE prepares you for a professional dance career in more ways than you can imagine.  The choreographers and repertory that I have on my resume because of NJDTE is truly uncanny.  It is such an honor to work with the incredible faculty at NJDTE, all huge influencers in the dance world, some who will be the next big name. NJDTE truly makes every dancer feel important as an individual artist, NJDTE challenges you, while giving you the foundation and base for a healthy successful career!”
​What was your favorite memory at NJDTE?

“Too many to name!! I’m not sure if it was performing at the Joyce, DRA events, summer exchange programs, Nutcracker weekends (including catering), those long Sundays at Drew, the lifelong friendships and memories I have made, or the home I found. Xoxo”

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NJDTE sends a huge congratulations Ellen and the touring cast of An American in Paris. Purchase tickets to catch Ellen on the US National Tour: https://americaninparisontour.com/#Tour

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VOYAGELA CAUGHT UP WITH FORMER NJDTE STUDENT SASHA ZITOFSKY CURRENTLY 3RD YEAR AT UNIVERSITY OF SOUTHERN CALIFORNIA

1/28/2020

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BY LEANDRA ACOSTA
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Sasha Zitofsky in NJDTE's The Nutcrakcer as a young dancer
“It’s amazing to see the journey of dancer Sasha Zitofsky, as a dancer and performer. He came to NJDTE at a young age, already having commercial experience, and wanting serious training in ballet and modern.” – NJDTE Artistic Director Nancy Turano
 
VoyageLA recently caught up with Sasha, former NJDTE student, to talk life, dance, and how he is making his way in the dance world. In the article, Sasha talks about how he started, his life struggles, and how he persevered to become the young man he is today.

​Sasha was born Alexander Zitofsky in and was adopted by his parents from a small town in Russia. From a young age Sasha faced adversity from his own physical health. He spent a time battling a slew of medical issues, such a Lymes disease and bilateral pneumonia, to name a few. Once he got on his feet, he was able to start taking dance classes at age six. After dancing for a few years, he began to get involved with theater and found a passion for it.
Sasha went on to become a triple threat performer: singing, acting, and dancing for theater and commercial dance projects across the country. Even at this young age, Sasha was aware of how powerful his self confidence was. He was able to be true to himself and what he loved no matter what obstacles he faced or what people said about him.
 
NJDTE Artistic Director had this to say about Sasha.
 
“He truly excelled quickly and was chosen as a featured dancer in a NJDTE work by Cherice Barton, in addition to training and working with other renowned artists. He left NJDTE to continue pursuing commercial dance and I find it a wonderful circle of life, that he is in one of the most prestigious universities pursuing concert dance. His journey is truly inspirational and supports the concept to “always keep your options open”.”
 
Sasha is currently in his third year at the University of Southern California majoring in Dance at The Glorya Kaufman School of Dance with a minor in Cinematic Arts. His studies have been integral in developing his true voice as director, cinematographer, and screenwriter.
 
A huge congratulations to Sasha as he pushes forward in his professional dance career at USC. NJDTE wishes you the best always, and we will be there when the curtain goes up. 
 
Want to support Sasha and his work:
  • Website: https://sites.google.com/a/usc.edu/sasha-haydn
  • Instagram: @sashahaydn
  • Twitter: @sashahaydn
 
Original article credits to VoyageLA: http://voyagela.com/interview/art-life-sasha-zitofsky
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NJDTE ALUMNI LAUREN STUCKO TO PERFORM WITH LAR LUBOVITCH DANCE COMPANY AT THE JOYCE THEATRE

4/18/2018

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By Caleigh Carlson
​NJDTE Alumni and George Mason University Senior Dance major, Lauren Stucko is a prime example of students who go above and beyond to chase their dreams. As a result of her perseverance and hard work, Lauren was chosen to perform at the Joyce Theater in New York City, where she will take part in the 50th anniversary season of the Lar Lubovitch Dance Company, this Sunday, April 22nd. Lauren is featured in a DANCE Magazine article, which explains in detail how this opportunity became a dream come true. The students began learning A Brahms Symphony from Ginger Thatcher last fall. Approximately 80 dance majors from George Mason attended a two-part audition, and from there Thatcher narrowed it down to a dozen, one of which is alumni Lauren Stucko herself. We had the chance to catch up with Lauren and hear more about her experience working with Lar Lubovitch, as well as the mental and physical preparation leading up to the performance. 
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" 'Excellence is a habit' is written on a star shaped paper weight I was given at our senior dinner the year I graduated from NJDTE. I aimed to live by this mantra when I started my studies at GMU!"   - Lauren Stucko
How do you feel to have this wonderful opportunity to work with Lar Lubovitch and could you describe the experience? 
It feels like a dream. Or as my GMU director, Susan Shields, who has also performed the role of  pink girl with Lar, would call it "Sublime". I am very grateful for being a part of such a legendary work. Not a week goes by that I don't think of my experiences that have led me to this point in my life. This experience has inspired and motivated me each day to step into the studio and reach towards excellence.
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What thoughts can you contribute about learning A Brahms Symphony and how is it different from other choreographic pieces you have previously performed? 
We have been working on Brahms since the audition in October. Ginger Thatcher has worked closely with us ever since selecting the group of dancers. The process happened within 3 residencies; the first involved learning the full 24-minute work, the second was in preparation for GMU's gala, in which Lar Lubovitch himself accompanied Ms. Thatcher.
Ms. Thatcher will now return to work with us in preparation for The Joyce Theater performances in New York City.
To be privately coached by Lar for hours was and will always be the most memorable, extraordinary moment in my dance career so far. His intuition, choreographic intelligence and appreciation for the dancers in space is unlike any other artist I have had the pleasure to be in the presence of. During the rehearsal process, since October, the piece really evolved, and when Lar Lubovitch visited our GMU studios, the movement and everything changed. It was magical. 
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How would you say NJDTE has prepared you for some of the wonderful opportunities you have experienced during college?

While at NJDTE, I was able to learn from some wonderful artists, and two of those individuals included Elisa Clark and Kate Skarpetowska, who both happen to be former dancers and assistants to Lar Lubovitch. I remember taking their classes and intuitively feeling so in love with Lar's movement. It was a pivotal moment in my training when I thought I want to dance this type of movement. At that time, I was young and a high school student who had plenty of aspirations and dreams for myself in the dance world. I believe 100% that all of the artistic opportunities I have had the chance to experience at NJDTE and elsewhere prepared me and organically led me to successfully audition and achieve such an amazing role as Pink Girl in "A Brahms Symphony." 



What advice might you share with current NJDTE students and aspiring professional dancers who are greatly inspired by alumni like yourself?
I wanted to be a dancer ever since I began taking classes at a young age. However, it was not always easy. I was typically an understudy, and did not have a lot of confidence in myself, but felt determined to persevere, and work hard. NJDTE alum success stories inspired me so much. I knew I wanted the performance life, to travel the world and so much more but knew it would take work. I had many goals and determination was a driving force. I signed myself up for classes, intensives, workshops, and anything that could further my progression and become the dancer I aspired to be. Four years ago, I would never imagine performing the lead in Lar Lubovitch's work at the Joyce Theater. 
So dancers, excellence is a habit. Persevere even if you don't think you are the best, make connections, dance your hardest in class, be attentive in rehearsals, stay open and who knows, maybe you will be getting interviewed one day for the role you landed! Thank you Ms. Turano for instilling so many skills in me that I carry with me day to day and for encouraging high standards that can absolutely be lived up to if you try your best. 
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A big congratulations to Lauren as she achieves this wonderful accomplishment with Lar Lubovitch at the Joyce Theater. NJDTE wishes you the best always, and we will be there when the curtain goes up. 
​http://www.dancemagazine.com/lar-lubovitch-george-mason-university-2559042560.html
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ALUMNI INSIGHT: Samantha Parsons Dances into Columbia Medical School

3/13/2017

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by Kate Pirtskhalava, NJDTE Alumna
PictureSamantha Parsons
When Samantha Parsons first auditioned to study with New Jersey Dance Theatre Ensemble, she was not accepted. However, determination triumphed over discouragement, and after attending the NJDTE Summer Intensive to improve her technique, Sam received an offer to train with the company she would come to call home for seven years. This year, Sam received yet another letter of acceptance, to Columbia University College of Physicians and Surgeons, and we could not be more proud and excited for her to begin this next step in her post-NJDTE journey!

The leap from dance to medicine may seem unlikely, but the two are more connected than they seem. We talked to Sam about everything that happened after her final bow with NJDTE in 2009 that led her to enroll in medical school. Read on to learn about how years of dancing can seamlessly translate into a non-dance career, and to hear invaluable advice on everything from planning the future to hitting the wings on stage.

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Sam Parsons in Fabrice Lamego's "L'Envol" at NJDTE
What moments during your time at NJDTE stick out as particularly impactful in your training?

I was fortunate to work with some pretty incredible choreographers at NJDTE. Ms. Turano does an amazing job of bringing in all of these world-class artists to work with the company. I really enjoyed working with Iyun Harrison when he was creating “Vivaldi Violin Concerto.” He had a playful approach to musicality and I enjoyed his somewhat unconventional use of pointe work. Working with Gallim Dance’s Andrea Miller was also a big highlight. She introduced us to this radical new way of moving that I found quite challenging but also really exciting.
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​After completing high school and finishing up your training at NJDTE, you enrolled in the BFA in Dance program at Tisch School of the Arts. What brought you to NYU?
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I knew that I wanted to pursue dance in college, but academics were also a big priority for me. NYU offered the best of both worlds. In between technique classes and rehearsals, I got to take classes in psychology, writing, and French literature—whatever subjects I found myself drawn to. Also NYU’s dance program is three years long, which was attractive to me because I wanted to get out there and start my dance career as quickly as I could.
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​How did the shift to medicine occur?
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The decision to transition away from a dance career was certainly one of the hardest I’ve ever had to make. After two years of dancing professionally, I was suffering from a few chronic injuries and my body was giving me signs that it might time to move on. I felt myself being drawn to medicine, so I started working at a fertility clinic. To my surprise, I felt just as fulfilled working there as I did when I was dancing. I experienced an enormous sense of gratification helping people going through something as emotionally difficult as fertility treatment. I realized that if I could feel such satisfaction doing little things for patients like scheduling appointments or getting their medications approved, then I could only imagine how physicians must feel on a daily basis. I applied and was accepted to the Columbia Postbaccalaureate Premedical Program and now a year and a half later I’m thrilled to be continuing at Columbia for medical school!

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Sam Parsons performing at NYU in a piece choreographed by Seán Curran. Photo by Tony Dougherty
​Did you notice any earlier signs of an interest in medicine? While training at NJDTE did you find yourself drawn to both art and science?
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Growing up I was not interested in medicine per se, but I have always loved science. I remember dragging my mom to Barnes & Noble when I was younger so I could read about everything from volcanoes, to atoms, to the Big Bang. I was always very curious. For me, science and dance have always been intertwined. I applied that same curiosity toward ballet technique and figuring out how to make it work for my body. Learning about anatomy and body mechanics through the context of dance was an initial spark for my interest in medicine. Many experiences since then have expanded and confirmed that interest, but it all began with having my mind blown at eleven years old at NJDTE learning about how turnout is achieved by the femur rotating in the acetabulum.
Being a dancer gave me so much in terms of discipline, adaptability, and resilience—all of which made pursuing admission to medical school possible.                                                  
​Science can definitely help create a deeper understanding of dance! Do you think it works the other way around too?
​

As dancers we commit wholeheartedly to our craft and that work ethic can be applied to any endeavor. We know how to keep going through fatigue, sickness, injury, you name it. When I was up all night before a physics final last year with a stomach bug, I was able to rely on the lessons I had learned through my dance training to stay cool under pressure and perform well regardless.
 
We also know how to work as part of a team. If you consider the beauty of a corps de ballet, there’s no denying what dancers can achieve by working together toward a common purpose. Movies and television like to portray the world of dance as being very cutthroat and competitive, but that has rarely been my experience. We know how to support our friends and colleagues (sometimes literally!) and that is another important skill that we bring to the table. 
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A performance of Jean Emile's "Talk to Her" at NJDTE.
​Students who are not pursuing dance careers often worry about how they will incorporate the performing arts into their lives when they no longer take class, rehearse choreography, and perform on a daily basis. How do you maintain that connection to the arts?
 

Does dancing in my living room count? I’ll admit that between juggling the premedical curriculum at Columbia and volunteering in a hospital, I don’t get to dance as often as I would like. But dance will always be a part of my life. I savor the opportunities when I get to take a ballet class, but I try to stay active regardless through running or yoga.
​
​As another group of dancers completes their study at NJDTE this season, what advice would you give to a student in the midst of considering his or her future career?
 

Your goals and priorities now may not be the same years from now and that is perfectly okay! Whether you decide to pursue a career in dance or in another field, you should never feel like you are stuck in the career path you are choosing now at eighteen. It is never too late to try something new!
​
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Sam Parsons and her fellow Soldiers ready for battle in NJDTE's The Nutcracker
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Sam Parsons (center) in Waltz of the Flowers in NJDTE's The Nutcracker
​And to the next generation of NJDTE dancers currently working hard in the studio, what would you say? Is there anything you wish you knew when you were in their shoes?
 
I would say to simply recognize how fortunate you are to train at such a wonderful organization and to not take anything for granted. Being able to study dance at NJDTE is such a privilege and it will all go by in the blink of an eye.
 
Oh, and whatever you do, do not hit the wings when you exit the stage. You will owe Ms. Turano a trip to Mexico! 

​A big thank you and congratulations to Sam Parsons. NJDTE wishes you the best of luck, and is rooting for you as you take on medical school!
 

​
Want to hear from more former NJDTE dancers like Sam?
​Have a question about a potential career path after NJDTE? We've got alumni in amazing places!
Ask your questions in the comments below​ and you just might get an answer from one!  
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Alumni Update: Darwin Black Gives Back at TU Dance

8/17/2015

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by Corey Bliss
In the summer of 2005, NJDTE alumnus Darwin Black (2006) attended his first NJDTE Summer Intensive on full scholarship at the age of 15. Artistic Director Nancy Turano saw untapped potential in Darwin: he had great physical facility and a strong presence, but  limited exposure to ballet and modern techniques. After just two years of training at NJDTE, Darwin matured into a virtuosic dancer and a confident, engaging performer. He went on to study on fellowship at The Ailey School before embarking upon a prolific and successful career dancing with renowned companies, including Sacramento Ballet, Miami Contemporary Dance Company, RIOULT and more. Now entering his third season with TU Dance in St. Paul, MN, Darwin is inspiring the next generation of aspiring dancers by teaching Horton-based modern technique to inner city youth at the company's school. Darwin speaks candidly about his childhood and growing up in Newark, NJ, and how NJDTE changed the course of his life: 
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Darwin in Jean Emile's "Talk to Her" at NJDTE. Photo by Juliana Thomas.
"NJDTE gave me an outlet and a healthy, safe place to go on the weekends. Getting up early on Sundays was a thrill and the best part of my week. I saw possibilities and new opportunities for myself. It was a doorway to a different world than the one I grew up in."
For Darwin, who "loves being a role model and a big brother," giving back to communities like his native Newark through teaching is even more inspiring than performing, his admitted "first love."
"Being able to relate to my students and their experiences helps me to stay focused and motivates me to keep learning and growing as a performer." 
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Photo by Kieshalia Stephens, courtesy of PinkAfterGlow
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Darwin teaching a modern class at TU Dance. Photo by Jeffrey Thompson, courtesy MPR News.
Darwin credits NJDTE with empowering him to pursue his dreams of becoming a professional dancer. He hopes to return to Newark some day to start his own program for inner city youth, because "NJDTE was inspiring, and I want to inspire back." He shares this advice for young dancers as they strive to overcome their own obstacles and meet new challenges: 
"Stay open, always listen and be able to receive. Make yourself available for anything your body and mind can do, and have confidence in that."
Read more about Darwin's work with TU Dance and their dance education initiatives, and mark your calendar for TU Dance at the Joyce Theater in NYC in January 2016!
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Alumni Update: Madelyn Eltringham

8/3/2015

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PictureMadelyn in "Dusk" at SUNY Purchase.
NJDTE alumna Madelyn Eltringham (2011) recently graduated from SUNY Purchase. As a student in the BFA program, Madelyn had the opportunity to learn from brilliant faculty and peers and work with many emerging and renowned choreographers, including Sarah Mettin, Adam Barruch, Gabrielle Lamb, Ori Flomin, Rosalind Newman, Nicolo Fonte, and Bettijane Sills staging pieces by George Balanchine. Madelyn also gained performance experience as a member of the Purchase Dance Company, dancing in productions at the Performing Arts Center at Purchase College and New York Live Arts, as well as many student projects. Other highlights from her college career include a semester abroad at the London Contemporary Dance School.

She credits NJDTE for giving her valuable skills, such as a high level of technique, drive, and professionalism, that enabled her to succeed not only in college and have prepared her for a bright future in the professional world. 

Madelyn Eltringham, a 2015 graduate of SUNY Purchase, reflects on her college career and the lessons NJDTE gave her.

“The experience to connect and work with so many current choreographers was invaluable for the future. I am grateful to have met so many artists through the program. To me, being an NJDTE alumna fills me with confidence. Because the program is so excellent, I feel a responsibility to carry on those high standards and proudly represent NJDTE in everything that I do."
PictureMadelyn in "Dissolves" at SUNY Purchase.



Madelyn’s future plans include auditioning for a vast array of artists and choreographers around the world. She is excited to discover new dance opportunities, and shares this advice for the NJDTE dancers who are now preparing for college and the next steps in their careers:

“Approach this unique and amazing phase of your life with an open mind, heart, and body. You really will get back what you put into your college experience."
We wish you the best of luck, Madelyn!

Photo credit: Jia-Lian Lin, JL Photography and Ted Kivitt
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